Download 999: New Stories of Horror and Suspense by Al Sarrantonio PDF

By Al Sarrantonio

The weaving of fictional suspense and terror is as historic as humankind itself. yet the place does this age-old culture stand on the cusp of a brand new decade, a brand new century, a brand new millennium? This big quantity seeks to reply to that question. Your carry on your arms the cutting-edge -- of fear.To organize this groundbreaking anthology, author and editor Al Sarrantonio challenged a special roster of authors to illustrate with all-new tales the form of horror/suspense literature as we input the twenty-first century. As you'll learn the twenty-nine participants answered via exhibiting the endless kind that's the very hallmark of this box. a few of these tales will startle you or fill you with terror. a few will hang-out you lengthy when you end analyzing them. there's even an eerily echoing snigger or chanced on within. yet jointly, those most unearthly of stories subscribe to to shape a good literary mosaic, a shiny modern portrait of a style that is proud, powerful, and irresistible.Not basically is that this the most important anthology of unique horror/suspense fiction of all time -- no longer one tale in 999 has ever been released sooner than -- however it can be the best. here's a significant publishing occasion with an perspective: to shake you up and scare you foolish.

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Extra info for 999: New Stories of Horror and Suspense

Example text

He had to sign for the weapon. Lyubashevski told him to go down into the Pool and report to Director Kozintsev. Chirkov descended in a hand-cranked cage lift and stepped out into a ballroom-sized space. “The Pool” was what people who worked in the spa called the basement where the dead were kept. It had been a swimming bath before the Revolution; there, weary generations of Romanovs plunged through slow waters, the tides of history slowly pulling them under. Supposedly dry since 1916, the Pool was so cold that condensation on the marble floors turned to ice patches.

For the first time, it occurred to Chirkov that Amerikans were scary. In the dark, this one had empty eye sockets and a constantly chewing mouth. Around its ragged neck were hung several cameras and a knotted scarf with a naked woman painted on it. Chirkov told Toulbeyev, who showed interest at the mention of photographic equipment and crammed around the spy-hole. He proposed that they open the doors and Chirkov put a bullet into the Amerikan’s head. With cameras, Toulbeyev was certain he could secure chairs.

A final reason was just to do it—to see if a massive original anthology, without a theme and displaying great work, was still possible in the field at the end of the millennium. Part Two: Definitions What you will find in this book are stories of both supernatural horror and nonsupernatural suspense. For the purposes of this project, and in order to present the genre at its widest and most representative, my definition of the terms horror and suspense is the broadest possible one: if it scares you, that’s it.

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