By Paula Kamen
On the age of twenty-four, Paula Kamen's lifestyles replaced directly. whereas she was once setting up her contacts, the left lens disturbed a constellation of nerves at the back of her eye. The discomfort was once extra piercing than that of the other headache she had ever skilled. greater than a decade later, she nonetheless has a headache-the very same headache. From surgical procedure to a battery of Botox injections to a dousing of Lithuanian holy water, from a mountain of pharmaceutical items to aromatherapy or even a vibrating hat, All in My Head chronicles the occasionally scary, frequently absurd, and constantly useless treatments Kamen-like such a lot of others-tried as a way to relieve the ache. Beleaguered and annoyed by way of medical professionals who, annoyed themselves, periodically declared her discomfort psychosomatic, she got here to appreciate the plight of the thousands that suffer continual discomfort in its many varieties. packed with self-deprecating humor and razorsharp reporting, All in My Head is the striking tale of endurance, reputation, and perseverance within the face of terrifying pain.</Div>
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Additional resources for All in My Head: An Epic Quest to Cure an Unrelenting, Totally Unreasonable, and Only Slightly Enlightening Headache
Founded in 1920 in a picturesque eighteenth-century Dutch Colonial manor house, the school was set on twenty acres of rolling lawns, stately trees, verdant orchards and broad fields for sports. By 1926, Rose Haven was a prestigious academy where the students had spacious bedrooms in the manor house and sat at desks in a bright and airy classroom building. In addition to the standard curriculum, the girls were offered ballet and music lessons, dramatics and art. Muriel was almost two years older than her classmates, but she was petite and demure, and (as she later recalled) she passed for their contemporary.
Written and acted with infinite dexterity, it is no cartoon out of the funny papers . . The dialogue is sparkling, the story is shrewdly told, and the acting is a treasure. The play is overpoweringly funny . . and also enchanting . . ” Audiences responded heartily to Teresa’s pert, spirited manner, which was never overstated or played to the gallery. She remained in the cast for a year and a half and performed her role for 624 performances. 1939–1941 35 I ask myself how I could keep doing the same thing night after night, but it never bothered me.
S Before the Wharf troupe disbanded at summer’s end, Muriel had a letter from Doro Merande, who was appearing on Broadway as the town gossip Mrs. Soames in Thornton Wilder’s Pulitzer Prize-winning play, Our Town. Doro invited Muriel to come to the play as her guest that autumn, and then to visit backstage. And then things happened quickly. Muriel hurried to Maplewood, visited Arthur and Edna at their home in nearby East Orange, and announced that she wanted to move to Manhattan to pursue her theatrical career.