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New York: Columbia University Press. 24 Cook Scruton, R. (1979). The aesthetics of architecture. London: Methuen. Scruton, R. (1983). Understanding music. Ratio, 25, 97–120. Scruton, R. (1997). The aesthetics of music. Oxford: Clarendon Press. Shibuya, M. (2000). Construction of the compositional persona in modern musical cultures. MPhil thesis, University of Southampton, UK. Solomon, M. (1988). On Beethoven’s creative process: a two-part invention. Beethoven Essays (pp. 126–138). Cambridge, MA: Harvard University Press.

Lerdahl, F. (1988). Cognitive constraints on compositional systems. In J. ), Generative processes in music: The psychology of performance, improvisation, and composition (pp. 231–259). Oxford: Clarendon Press. Levinson, J. (1998). Music in the moment. Ithaca, NY: Cornell University Press. MacIntyre, A. (1958). The unconscious: A conceptual analysis. London: Routledge & Kegan Paul. Rose, A. (2004a). Cellar notes #30: Mourvèdre, he wrote. The Independent Magazine, 24 April, 41. Rose, A. (2004b). From Bordeaux to the New World.

Baldwin, NY: Music Teachers National Association. Goehr, A. (1977). Schoenberg’s Gedanke manuscript. Journal of the Arnold Schoenberg Institute, 2, 4–25. Goehr, L. (1992). The imaginary museum of musical works: An essay in the philosophy of music. Oxford: Clarendon Press. Guilford, J. P. (1979). Cognitive psychology with a frame of reference. San Diego, CA: Edits Publishers. Hampshire, S. (1969). Modern writers and other essays. London: Chatto & Windus. Creativity, analysis, and aesthetic inclusion 23 Hanslick, E.

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