Download Blues Harmonica For Dummies by Winslow Yerxa PDF

By Winslow Yerxa

The enjoyable and simple solution to play blues at the harmonica

Blues harmonica is the most well-liked and influential type of harmonica enjoying, and it kinds the root for taking part in harmonica in different types reminiscent of rock and state. Blues Harmonica for Dummies can provide a wealth of content material dedicated to the blues approach—specific innovations and functions, together with bending and making your notes sound richer and fuller with tongue-blocked improvements; use of amplification to increase a blues sound; blues licks and riffs; developing a blues harmonica solo; accompanying singers; historic improvement of blues types; and critical blues avid gamers and recordings.

The accompanying audio CD positive aspects the entire musical examples from the e-book, plus play-along routines and songs that allow you to pay attention the sound you're striving for.
• In-depth insurance of significant blues harmonica techniques
• Blues track varieties, improvisation, and accompanying singers
• info on blues background and personalities

If you're intrigued through the belief of realizing and learning the compelling (yet mysterious) paintings of enjoying blues at the harmonica, Blues Harmonica For Dummies has you lined.

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Additional info for Blues Harmonica For Dummies

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Because the scale isn’t right for the key, it includes some notes that don’t belong, and they just happen to be some of the blue notes. ) ✓ Notes often slide from one to the other. This slurring sound is called bending notes. You start playing a note and then you bend, or slide, away from it, creating a wailing, slithering sound. The harmonica bends notes in a way that creates a strong impression on listeners. ) A third aspect of the harmonica is also very conducive to playing the blues. Playing chords (several notes at once) with catchy rhythms is a big part of the blues.

Write the key on the top or end of the harp or use commercially available adhesive harmonica key labels (both Seydel and TurboHarp offer these). ✓ Arrange the harmonicas in a series of keys that makes sense, such as • Low to high in alphabetical order. • In the following arrangement, known as the circle of fifths: G, D, A, E, B, Fs, Df, Af, Ef, Bf, F, C. When you start using positions, which I cover in Chapters 12, 13, 14, and 15, this arrangement can help you find the harmonica you need when you use a harmonica tuned to a key that’s different from the key of the song.

The collection of pitches is called a scale. You can play the scale in ascending order of pitch (A, B, C, D, E, F, G) or in descending order of pitch (G, F, E, D, C, B, A). Or you can move around among the notes of the scale to create melodies. But the letter names A, B, C, D, E, F, and G only cover seven pitches. A diatonic harmonica has 19 pitches built into it, while a piano has 88! How can you use only seven letters to name all those notes? Figure 3-6 shows part of a piano keyboard. As your gaze travels from left to right, you notice a pattern: ✓ You see two black keys, then a gap, then three black keys, and then another gap.

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