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Will your character get excited and interrupt the other speaker? 3) How much does your character reveal in speech? Consciously? " Unconsciously? "Me? Jealous? Hell, no. " Nothing at all? " 4) In conversation, is your character a "high-involvement" speaker? ) That means a speaker is excitable, enthusiastic, eager to contribute, quick to affirm but also to interrupt what the other is saying. The high-involvement speaker sees conversation as a group effort, with the purpose of sharing an experience and reinforcing each other.
So let's go beyond individual voice and speak of voices: arguing, agreeing, jawing, joking— making conversation that matters. You might rent some videos with snappy dialogue, like the screwball comedies of the 30s, or David Mamet's films. Listen for the reaction pauses in those lightning-quick exchanges, and see if you can use for rhythm and balance in your own witty repartee. " "Right. Let 'em roll. I know how that works. , persuasion, intimidation, comfort, seduction, alliance-building, information exchange, time-passing, boasting....
Now think about how that applies to your characters. " would you think that was a woman or a man speaking? You'd figure, probably, that it was a woman. What are the markers? ), the cooperative "Let's" and "together" and the turning of a command into a request are all pretty typically feminine. If you read, "I'll drive for the first three hours. " Why? ) into a statement (not a command, notice, but a statement). If you read, "Oh, I'm so sorry to hear that! "), the amplification (Oh, so sorry, too, very hard, now) that makes the sentence longer and more "soft-edged", the effort at camaraderie (my cousin), the use of a personal example.