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By Robert E. Kapsis

Conversations with Steve Martin provides a set of interviews and profiles that target Martin as a author, artist, and unique philosopher over the process greater than 4 many years in express company. whereas these much less accustomed to his complete physique of labor might imagine of Martin as basically the "wild and loopy man" with an arrow via his head, this booklet makes the case that he's in truth certainly one of our nation's such a lot comprehensive and sundry artists. It exhibits the complete variety of Martin's inventive paintings, tracing the resource of his comedian mind's eye from his early standup days, beginning within the mid to overdue Nineteen Sixties throughout the motion pictures he has written and starred in, and emphasizing his more moderen artistic outpourings as playwright, essayist, novelist, memoirist, songwriter, composer, musician, and paintings critic.

"Standup is the toughest fabric on this planet to put in writing for somebody else; it truly is like attempting to condense 10 years of expertise into 20 mins of latest material.," Martin says.

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Additional resources for Conversations with Steve Martin

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The Ten, Make That Nine, Habits of Very Organized People. Make That Ten: The Tweets of Steve Martin. New York: Grand Central Publishing, 2012. Children’s Books The Alphabet from A to Y with Bonus Letter Z! (with Roz Chast, illustrator). New York: Doubleday/Flying Dolphin Press, 2007. Late for School (with C. F. Payne, illustrator). New York: Grand Central Publishing, 2010. Screenplays The Absent-Minded Waiter, 1977. The Jerk (coauthor), 1979. Dead Men Don’t Wear Plaid (coauthor), 1982. The Man with Two Brains (coauthor), 1983.

Then there’s three weeks of looking at the thing with an audience, changing it all the time. When a movie is done, you can only take things out. With a play, you can always improve by inventing. I’m there with my word processor. And what’s interesting about it is that only when you finally see the play do you realize what it is. And that might lead to greater insight down the line, to encourage whatever element in it makes it work. ” The Charlie Rose interview from 1996 also focuses on Martin as a playwright.

I just am” (Sheff, Playboy, 1993). The Magic Years (1956–1965): Up until college, it was not writing that Martin was drawn to but rather an overall ambition to be in show business: “I didn’t care if I was going to be an actor or a magician or what. Comedy was a point of the least resistance, really. I loved comedy” (“Steve Martin and David Walliams in Conversation,” British GQ Online, April 2013; not included here). Martin was born in Waco, Texas, in 1945, but by 1950 his family had moved to the Los Angeles area and five years later had settled in Garden Grove, Orange County—two miles from Disneyland, the newly opened theme park.

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